Building Round Characters

In writing, there are round characters and flat characters. Flat characters are just like they sound: flat. No depth. A writer wouldn’t go into much detail about who they are or their background. The flat characters are simply there to help advance the story.

Round characters, however, do more than advance the story. They have depth and typically change throughout the story. These characters need background–whether you share their backstory or not is up to you, the writer, but you’ll discover that without the backstory, your characters will feel flat regardless of how you try otherwise.

So, how do you develop round characters with a backstory? Here are some ideas that seem to work for me:

  1. Give them a full name: middle and all. You may never use the middle name, but it’s there nonetheless. Include maiden names and reasons behind the name. For example, my novel has a music theme running through it, so I gave my character the middle name of “Cadence.” However, that is not reason enough. Therefore, in her backstory, it’s a family name on her mother’s side–a maiden name passed down generations. That provides a strong family tie as well as a music-themed name (without it being too cheesy or obvious).
  2. Create a family tree. Who are their parents? Grandparents? Etc. Go as far back as you want. Having family ties helps you know your characters and helps define their goals and motivations. Think about yourself: do you know where you came from? Does that give you pride? How does knowing your own background influence how you act or talk? Do you have an accent? Does your character have an accent? Think about it in depth. If you don’t know your heritage, then how does that influence you?
  3. Give your character a birth date and then look up their horoscope. You would be amazed at how much a horoscope can help define your character. For example, one main character I’m working on is fairly selfless and has some psychic tendencies. I looked through the different horoscope readings and discovered that  Pisces was the perfect fit. From there, I figured out her birthday and even the day she was conceived. It may never come up in the story, but I know who she is, so if I decide to write a sequel, then I’ve got all kinds of information.
  4. Put this backstory into a separate document. I have the entire family’s backstory in a separate document. It could turn into a prequel–you just never know.
  5. Not sure where to start? Conduct an interview with your character. It may seem funny at first, but you’ll soon lose yourself into the activity. Keep in mind that your reader is going to spend a lot of time with this person (people), so you want to make them likeable. If you don’t like spending time with this person, then your reader won’t either–although, there is something to be said for creating hated characters… More on that next time.

Try this blog for more ideas.

What methods do you use to help create round characters? Tell me in the comments.

The Witty Owl

So You Want to Write a Book?

When I tell people that I’m an editor and writer, they tend to launch into their book writing aspirations, which I enjoy, but then they tend to end the discussion with the statement, “But I don’t know where to start.”

Yes, Lewis Carroll said, “Begin at the beginning,” but it’s not as simple as that.

Editors and agents want the beginning of a book to capture its audience from the first sentence and to entice the reader to continue to the end.

That’s a daunting task. So, of course, if thinking about this beginning, you’ll never begin. Rather than “begin at the beginning,” begin writing where your idea starts. You can figure out the beginning later.

Diana Gabaldon, a favorite writer of mine, speaks about “kernels.” These are small snapshots of characters, descriptions, images…short sentences that start an idea. From there, she develops these ideas into larger and longer texts. Sometimes, these ideas make it into the book, but sometimes, they hit the editing floor. That’s OK.

I repeat: THAT’S OK. Every thought you have about a book or a character or an idea does not have to end up in the book. It doesn’t meant it’s not valuable. It simply means that it’s not meant for the reader. Hold on to those pieces, though, because they could be useful in developing your character. [More on that later…]

The Oxford Comma

A recent article, first reported on the Quartz website, argued that a missing Oxford comma was to blame for a court’s ruling on overtime pay in Maine. The article explains that the list of duties ineligible for overtime pay was ambiguous because it was missing an Oxford comma.

An Oxford comma comes before the “and” in a list of three or more items. It is also known as the “serial comma.” I am a huge fan of the Oxford comma. It helps alleviate confusion. Yes, it takes up space, but when precise communication matters, such as in a legal document, then an Oxford comma is necessary.

Take this example into consideration:

If three children are left a considerable inheritance from their parents, then how should it be divided between them?

The inheritance is to be divided between Sue, Joe and Jack.

If the sentence read “equally between Sue, Joe and Jack,” then the missing Oxford comma might not matter. However, in this case, it is ambiguous whether or not the inheritance should be divided into equal thirds between the three children or if Sue should inherit 50% and Joe & Jack have to split the other half.

At a grammar conference I attended in the ’90s, the presenter argued this exact case (real or imagined, I never knew–but also mentioned here). Sue won this scenario because if Joe and Jack were meant to be considered separate entities, a comma would separate them, and it would be clear that the money should be divided into equal thirds.

Back to the modern case: the Main law reads as follows:

“The canning, processing, preserving,
freezing, drying, marketing, storing,
packing for shipment or distribution of:
(1) Agricultural produce;
(2) Meat and fish products; and
(3) Perishable foods.”

As written, which activities are exempt from overtime pay?

Unsure? Well, the courts were unsure as well. The drivers argued that “packing for shipment or distribution” is one activity, and therefore, those drivers who are shipping or distributing should be paid overtime.

The dairy company, however, argued that “packing,” “shipping,” and “distributing” were all exempt from overtime pay.

The court ruled in favor of the drivers.

The headlines across the Internet claim a missing Oxford comma is to blame for the ruling; however, I argue that the problem is more than just a missing comma. The problem is in a lack of parallelism.

Parallelism basically means that words in succession should be written in the same format. In this case, all of the activities in the list should be written with an “ing” ending.

If all of those activities are to be considered separately, including “shipment or distribution,” then all of them should be written with an -ing ending. Therefore, the following would be correct:

“The canning, processing, preserving,
freezing, drying, marketing, storing,
packing, [shipping, and distributing] of:
(1) Agricultural produce;
(2) Meat and fish products; and
(3) Perishable foods.”

That’s not what they wrote, however, and therefore, the drivers had a good point. By all means, use the Oxford comma, but take it the next step and use parallel structure, too. You never know when it might really matter. Of course, I argue language always matters.

~ @TheWittyOwl